Canular n°18 - 2 - Pièces de Charles-Simon Favart

Niveau moyen

Retrouvez les véritables titres des pièces de Favart. Attention aux pièges tendus par notre farceur de service !

Les Deux Tunnels
La Poire de Bezons
Le Cale-bourgeois
La Chercheuse de cris
La Fête des Saints Clous
Le Prix de sa terre
L'Hippo. est par ici
Le Toc de village
Noix de cajou
Les Mamours à la noix
Cimetière assiégé
Menhir et Beurette
Les Dindes dansantes
Crouton et Rosette
Les Amours de Baston et Bas-se-tiennent
La Serre vante mes tresses
Minette à la tour
Les Trois Soutanes ou Soliman fécond
Aneth et Lupin
L'Onglet à bords doux
La Fée Prunelle ou Ce qui plaît aux cames
La Rombière de Salency
Le Bel Larsen


Réponses ci-dessous. Answers below.

1734 : Les Deux Jumelles
1735 : La Foire de Bezons
1738 : Le Bal bourgeois
1741 : La Chercheuse d'esprit
1741 : La Fête de Saint-Cloud
1742 : Le Prix de Cythère
1742 : Hippolyte et Aricie
1743 : Le Coq de village
1744 : Acajou
1747 : Les Amours grivois
1748 : Cythère assiégée
1750 : Zéphire et Fleurette
1751 : Les Indes dansantes
1753 : Raton et Rosette
1753 : Les Amours de Bastien et Bastienne
1755 : La Servante maîtresse
1755 : Ninette à la cour
1761 : Les Trois Sultanes ou Soliman Second
1762 : Annette et Lubin
1763 : L'Anglais à Bordeaux
1765 : La Fée Urgèle ou Ce qui plaît aux dames
1769 : La Rosière de Salency
1773 : La Belle Arsène

Sabine Chaouche
03/31/2017

Publication: "Creation and Economy of Stage Costumes. 16th-19th century" ed by Sabine Chaouche

Publication type: Journal
Editor: Chaouche (Sabine)
Abstract: European Drama and Performance Studies is a journal devoted to the history of performing arts. Thematic issues are published in French and/or English.
Number of pages: 375
Parution: 07-05-2023
Journal: European Drama and Performance Studies, n° 20

Ce volume fait découvrir au lecteur un atelier souvent méconnu : celui des costumes de théâtre sous l’Ancien Régime. Il met en lumière les différents métiers relatifs à la fabrication des tenues des acteurs, l’univers des marchands ainsi que les coûts liés aux commandes de textiles ou de vêtements. Cet ouvrage redonne une place centrale à l’archive, et plus particulièrement aux sources méconnues que sont les factures des tailleurs, des perruquiers ou d’autres fournisseurs tels que les drapiers, les merciers, les plumassiers, les bonnetiers etc. Il met en lumière à travers les huit articles et annexes qui le composent, un pan de l’histoire du costume de scène longtemps délaissé.


classiques-garnier.com/european-drama-and-performance-studies-2023-1-n-20-creation-and-economy-of-stage-costumes-16th19th-century-en.html

Sabine Chaouche
10/14/2023

Gallery

Gallery
Monday, May 14th 2012
Read 1093 times

Poetry: Steven Matthews




Steven Matthews is the author of the poetry collection, 'Skying', which will appear from Waterloo Press in June 2012. His poems have appeared in many journals, including "Poetry Review", "Stand", and "Oxford Magazine". He is also the Director of the Poetry Centre at Oxford Brookes University.

All poems reproduced with courtesy of Steven Matthews


Wires, not gut

(c) Sabine Chaouche - Los Angeles 2009
(c) Sabine Chaouche - Los Angeles 2009
Take a plectrum
........ to the sky

and prick out
........ lyre-songs

that wring
....... from the cloudedness

the tears
....... it is so

earnest
........ with concealing

(c) Steven Matthews
May 2012.



Tanto…tanto

(c) Sabine Chaouche - Oxford 2009
(c) Sabine Chaouche - Oxford 2009
“It’s because I’ve lived so much that I want to live so much more”
(Pablo Neruda)

It’s some sepiaed Spanish
country of the mind
(so much, and too much):
so much the bask of light,

as the cloud-haze clears
from the slopes of El Cielo,
and the sun frees upon
the bodice-fans of thick leaves

cicadas, to their squall
of chatter, fandangos
that survive the habits
of inevitable song.

(c) Steven Matthews.
May 2012.



Erato

(c) Sabine Chaouche - New York 2009
(c) Sabine Chaouche - New York 2009
She comes to this spot each afternoon in
summer, sets her stool on the stamped soil path,
and checks the tuning of her guitar.
Passers-by soon group in anticipation,
bored parents pause pushchairs, and rest on them.
A few chords, but still the song does not begin.

She gazes beyond, toward the shimmer
in sunlight at the end of the path,
..........................................toward
where the words might come from,
.............................................distant from her,
yet words for the lovelornness that might well
from her, drawing the tune and the beauty
that re-cast the demarcations of the day.

(c) Steven Matthews
May 2012.




Turn and turn again

(c) Sabine Chaouche -- Cours les Barres 2011
(c) Sabine Chaouche -- Cours les Barres 2011
Upset at being made
.......................to think of these
as crooked, silhouetted
skeletons’ fingers pleading
....................into a blank sky

I am waiting
for the nubs of the buds
to split, for
their leaves and red blossom
......................to flame out

(c) Steven Matthews
May 2012.

The Earth Turned Upside Down

(c) Sabine Chaouche - Oxford 2009
(c) Sabine Chaouche - Oxford 2009
Where from, where to?
Crazed contrails in the snow,
and some firm god
trampling the heavens
in vengeance.

Phaeton’s chariot-marks, maybe,
once the restless horse-team
had gone out of control
and the wheels slewed
all over -
time itself become confused,
the dark of day, light of night,

through both of which
careered
the pursuing Jove,
frantic to enforce order
before the whole globe
went up
.............in flames.

(c) Steven Matthews
May 2012.




Transmitter

This cell has switched
........................cancerous,
exfoliating in its darkness,

expanding its reach
and about to break out,
.........................take over,

transmit its agony
......................from the beauty
of its flourish

(c) Steven Matthews.
May 2012.


(c) Sabine Chaouche - Oxford 2012
(c) Sabine Chaouche - Oxford 2012

Nota Bene:
The images or poems relating to this exhibition must not be reproduced without theauthors' permission.
Les images ou poèmes relatifs à l'exposition virtuelle ne doivent pas être reproduits sans l'autorisation de leur auteur.

Sabine Chaouche



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