The Frenchmag: ISSN 2045-8533
The Frenchmag: ISSN 2045-8533
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Si d’immenses efforts ont été réalisés ces dix dernières années pour tenter de comprendre l’histoire littéraire et la génétique théâtrale, c’est-à-dire les mécanismes qui sous-tendent la dramaturgie...
Dans ses Réflexions sur l’Art théâtral publiées en 1801, Jean Mauduit-Larive fait part de son expérience de la scène et notamment de son succès au cours d’une représentation tragique, alors qu’il...
During one of his sessions in An Actor prepares, Torstov says to his students: But you have to know how to induce that dramatic state. Technique alone cannot create an image that you can give believe...
In 2008, a new film version of Brideshead Revisited by Evelyn Waugh was released and gave modern audiences a new “taste” of Oxford in the 1920s. http://www.youtube.com/watch?v=LjtKqqXyCgs This...
Dans son journal intitulé Le Censeur dramatique, Alexandre Grimod de la Reynière écrivait à la fin du XVIIIe siècle à propos de l’acteur Damas : « D’un bout à l’autre de ce rôle, il n’a cessé de...
Il est évident que toutes ces hypothèses sont à vérifier. Tout élément de réponse sera le bienvenu (veuillez écrire à l'adresse suivante s.chaouche@brookes.ac.uk ou envoyer directement un message sur...
Il est évident que toutes ces hypothèses sont à vérifier. Tout élément de réponse sera le bienvenu pour approfondir notre recherche sur La Tour et les acteurs de la Comédie-Française (veuillez écrire...
Il est évident que toutes ces hypothèses sont à vérifier. Tout élément de réponse sera le bienvenu pour mener à bien notre recherche sur La Tour et les acteurs de la Comédie-Française (veuillez...
Dans son ouvrage sur les pastels de Maurice Quentin de La Tour, Henri Lapauze écrit : Ce n’est pas au Louvre, devant sa fameuse Madame de Pompadour, si composée de visage et d’accessoires, merveille...
The Comédie-Française actors stayed in the Saint-Germain area for more than 80 years. The area became well known in Paris and Europe as the Comédie-Française quartier. In 1770, actors moved to the...
Finding a place where trade and business operations could develop easily and peacefully was essential but problematic for actors had to face prejudices among their profession regarded as infamous....
Ticket orders also suggest that the actors were confident and believed in prosperity. The number of pre-printed tickets increased dramatically in the 1770s. While they would order an average of 3,400...
Bills inform also on commercial practices during the period and deals which were made with suppliers. Billets d’ordre (orders) written by actors or sometimes by the tailor Pontus on behalf of the...
The Comédie-Française had a very particular status in Paris, which could be compared to the ‘marchandes de modes’ status: it had an intermediary position in the economical life cycle, halfway between...
Marketing theatrical products was also part of the business operations undertaken by the actors.Posters were regularly ordered from a printer. In the 1740s black and white posters were used (5 liv....
What was the Comédie-Française’s logistics within Paris and its network of suppliers? Not all the documents give the details of the suppliers. Thirty-three addresses were collected. Twenty-three...
Archival documents from the Comédie-Française refer most generally to the living environment, i.e. to necessary expenditures to maintain the building in good condition or to ensure a smooth day to...
What was staging at the Comédie-Française in C18 Paris? What were the props?
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©The Frenchmag 2013, a weekly publication. Creation: 08-2010
Country: United Kingdom
Publisher: Sabine Chaouche, Oxford, UNITED KINGDOM
Contact: sabinechaouche@voila.fr
This website was created and is owned by Sabine Chaouche
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