Canular n°18 - 2 - Pièces de Charles-Simon Favart

Niveau moyen

Retrouvez les véritables titres des pièces de Favart. Attention aux pièges tendus par notre farceur de service !

Les Deux Tunnels
La Poire de Bezons
Le Cale-bourgeois
La Chercheuse de cris
La Fête des Saints Clous
Le Prix de sa terre
L'Hippo. est par ici
Le Toc de village
Noix de cajou
Les Mamours à la noix
Cimetière assiégé
Menhir et Beurette
Les Dindes dansantes
Crouton et Rosette
Les Amours de Baston et Bas-se-tiennent
La Serre vante mes tresses
Minette à la tour
Les Trois Soutanes ou Soliman fécond
Aneth et Lupin
L'Onglet à bords doux
La Fée Prunelle ou Ce qui plaît aux cames
La Rombière de Salency
Le Bel Larsen


Réponses ci-dessous. Answers below.

1734 : Les Deux Jumelles
1735 : La Foire de Bezons
1738 : Le Bal bourgeois
1741 : La Chercheuse d'esprit
1741 : La Fête de Saint-Cloud
1742 : Le Prix de Cythère
1742 : Hippolyte et Aricie
1743 : Le Coq de village
1744 : Acajou
1747 : Les Amours grivois
1748 : Cythère assiégée
1750 : Zéphire et Fleurette
1751 : Les Indes dansantes
1753 : Raton et Rosette
1753 : Les Amours de Bastien et Bastienne
1755 : La Servante maîtresse
1755 : Ninette à la cour
1761 : Les Trois Sultanes ou Soliman Second
1762 : Annette et Lubin
1763 : L'Anglais à Bordeaux
1765 : La Fée Urgèle ou Ce qui plaît aux dames
1769 : La Rosière de Salency
1773 : La Belle Arsène

Sabine Chaouche
03/31/2017

Publication: "Creation and Economy of Stage Costumes. 16th-19th century" ed by Sabine Chaouche

Publication type: Journal
Editor: Chaouche (Sabine)
Abstract: European Drama and Performance Studies is a journal devoted to the history of performing arts. Thematic issues are published in French and/or English.
Number of pages: 375
Parution: 07-05-2023
Journal: European Drama and Performance Studies, n° 20

Ce volume fait découvrir au lecteur un atelier souvent méconnu : celui des costumes de théâtre sous l’Ancien Régime. Il met en lumière les différents métiers relatifs à la fabrication des tenues des acteurs, l’univers des marchands ainsi que les coûts liés aux commandes de textiles ou de vêtements. Cet ouvrage redonne une place centrale à l’archive, et plus particulièrement aux sources méconnues que sont les factures des tailleurs, des perruquiers ou d’autres fournisseurs tels que les drapiers, les merciers, les plumassiers, les bonnetiers etc. Il met en lumière à travers les huit articles et annexes qui le composent, un pan de l’histoire du costume de scène longtemps délaissé.


classiques-garnier.com/european-drama-and-performance-studies-2023-1-n-20-creation-and-economy-of-stage-costumes-16th19th-century-en.html

Sabine Chaouche
10/14/2023

Gallery

Gallery
Wednesday, November 27th 2013
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CALL FOR PAPERS: Interdisciplinary Panel: "Intersections of Art, Music, and Spectacle, 1400–1800"




Second Annual Symposium on Medieval and Renaissance Studies (http://smrs.slu.edu/)
June 16–18, 2014
St. Louis University; St. Louis, MO

Deadline for Abstracts: December 15, 2013


(c)  Remi Mathis
(c) Remi Mathis
Art, music, and spectacle in the Early Modern period intersect on multiple levels: sharing similar themes, formal characteristics, patrons, and artists; drawing on similar sources, from mythologies to religious texts; sharing the same physical space; and appealing to similar audiences—secular and sacred, public and private. Music and the visual arts also paralleled one another in their functions, creating avenues for developing national style, for codifying devotional practices, or for propagandistic positioning.

This panel seeks to open up a discourse on the intersection of music, spectacle, and the visual arts in order both to showcase the breadth of possibility for topics and to spark conversations between scholars interested in interdisciplinary studies. We invite presentation proposals from scholars at all levels (graduate students, as well as more advanced faculty) that address any type of connection between art, music, or spectacle in the Early Modern period. In addition to more traditional studies of patronage, iconography, and artistic collaboration, we welcome papers addressing more theoretical approaches, such as constructions of space, mnemonics and memory, sensory and phenomenological experience. The panel seeks to incorporate papers from a variety of disciplines—art history, musicology, theater and dance history, performance studies, etc.—and from a variety of geographic and historical periods.

Possible topics include, but aren’t limited to:
the relationship of art and music to sacred and secular physical spaces
paragone and discourses on the relationship between the arts
relationships and movement of artists and musicians between cultures, courts, and patrons
visual depictions of music; musical representations of visual art
visual aspects of spectacle (scenery, costume, tableaux, bodily comportment, affect, and gesture)
print culture and the dissemination of the printed record of music


If you are interested, please send a 250 word abstract to Danielle M. Kuntz (kuntz038@umn.edu) or Nicole N. Conti (nicolenconti@umn.edu) by December 15th. Feel free to contact us with any questions you might have. Additionally, if you work on art and music but cannot submit a proposal for this session, please consider contacting us anyway. We are looking to compile a cohort of scholars who work these topics for future collaborations, including a session at the 2015 Renaissance Society of America conference in Berlin.

Sabine Chaouche



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