Canular n°18 - 2 - Pièces de Charles-Simon Favart

Niveau moyen

Retrouvez les véritables titres des pièces de Favart. Attention aux pièges tendus par notre farceur de service !

Les Deux Tunnels
La Poire de Bezons
Le Cale-bourgeois
La Chercheuse de cris
La Fête des Saints Clous
Le Prix de sa terre
L'Hippo. est par ici
Le Toc de village
Noix de cajou
Les Mamours à la noix
Cimetière assiégé
Menhir et Beurette
Les Dindes dansantes
Crouton et Rosette
Les Amours de Baston et Bas-se-tiennent
La Serre vante mes tresses
Minette à la tour
Les Trois Soutanes ou Soliman fécond
Aneth et Lupin
L'Onglet à bords doux
La Fée Prunelle ou Ce qui plaît aux cames
La Rombière de Salency
Le Bel Larsen


Réponses ci-dessous. Answers below.

1734 : Les Deux Jumelles
1735 : La Foire de Bezons
1738 : Le Bal bourgeois
1741 : La Chercheuse d'esprit
1741 : La Fête de Saint-Cloud
1742 : Le Prix de Cythère
1742 : Hippolyte et Aricie
1743 : Le Coq de village
1744 : Acajou
1747 : Les Amours grivois
1748 : Cythère assiégée
1750 : Zéphire et Fleurette
1751 : Les Indes dansantes
1753 : Raton et Rosette
1753 : Les Amours de Bastien et Bastienne
1755 : La Servante maîtresse
1755 : Ninette à la cour
1761 : Les Trois Sultanes ou Soliman Second
1762 : Annette et Lubin
1763 : L'Anglais à Bordeaux
1765 : La Fée Urgèle ou Ce qui plaît aux dames
1769 : La Rosière de Salency
1773 : La Belle Arsène

Sabine Chaouche
03/31/2017

Publication: "Creation and Economy of Stage Costumes. 16th-19th century" ed by Sabine Chaouche

Publication type: Journal
Editor: Chaouche (Sabine)
Abstract: European Drama and Performance Studies is a journal devoted to the history of performing arts. Thematic issues are published in French and/or English.
Number of pages: 375
Parution: 07-05-2023
Journal: European Drama and Performance Studies, n° 20

Ce volume fait découvrir au lecteur un atelier souvent méconnu : celui des costumes de théâtre sous l’Ancien Régime. Il met en lumière les différents métiers relatifs à la fabrication des tenues des acteurs, l’univers des marchands ainsi que les coûts liés aux commandes de textiles ou de vêtements. Cet ouvrage redonne une place centrale à l’archive, et plus particulièrement aux sources méconnues que sont les factures des tailleurs, des perruquiers ou d’autres fournisseurs tels que les drapiers, les merciers, les plumassiers, les bonnetiers etc. Il met en lumière à travers les huit articles et annexes qui le composent, un pan de l’histoire du costume de scène longtemps délaissé.


classiques-garnier.com/european-drama-and-performance-studies-2023-1-n-20-creation-and-economy-of-stage-costumes-16th19th-century-en.html

Sabine Chaouche
10/14/2023

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Gallery
Sunday, January 18th 2015
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Call for papers: Research – Reveal – Revive Approaching art performances from around 1800, Trondheim, June 1st–3rd 2015





Call for papers: Research – Reveal – Revive  Approaching art performances from around 1800, Trondheim, June 1st–3rd 2015
The interdisciplinary project Performing arts between dilettantism and professionalism (pArts) hereby invites paper proposals. At two preceding conferences, the project has explored the development of professionalism within the fields of music, theatre and dance in Northern Europe in the decades around 1800.
We have looked into the preconditions for the development of professional performers and the establishment of permanent institutions within the artistic fields in question. Also, we have investigated changes in repertoire supporting – and reflecting – this development, and looked into the role of the performing arts for the development of bourgeois culture, growing nationalism, and democratic practices.

Repertoire and artistic practices have been at the core of the project since its beginning. Especially, we have tried to reconsider some of the period’s phenomena like theatrical and social dance, light opera and trivial drama – phenomena that to a certain degree have been marginalised in the Norwegian research tradition. We have been looking into what repertoire, which artistic practices and what kind of competences that really counted in this period, and how these preferences evolved and changed.

At the upcoming conference, we would like to pursue these scholarly questions, including how research about the artistic practices of the period can inspire and inform contemporary practices approaching the repertoire and genres of the late eighteenth and early nineteenth century. While “historically informed performance” is established within the field of musicology we would also like to encourage papers on how scholars and practitioners in the fields of dance and theatre work with the “historically informed” in field-specific ways.

Paper proposals do not have to confine themselves to practices from the Nordic countries. Broad topics for conference papers (given the time-span and artistic fields covered by the project) would include :
• The relationship between scholarly work and artistic practices
• Different conceptualisations of “historically informed” artistic practices within various artistic fields
• Examples of research-driven and research-facilitated artistic practice
• The why-what-how of documentation
• The history of performing arts and contemporary cultural policies

Proposals for papers including a max. 300 word abstract, your name, affiliation and email address, should be submitted to parts@ntnu.no by March 1st 2015. Notice of acceptance will be given by March 15th 2015.

More on : https://www.ntnu.no/web/parts/parts

Venue: Suhmhuset
Erling Skakkes gt 47
7012 Trondheim
Norway

Performing arts between dilettantism and professionalism. Music, theatre and dance in the Norwegian public sphere 1770–1850 (pArts) is a multi disciplinary research project supported by the Norwegian Research Council and the Norwegian University of Science and Technology (NTNU), the Faculty of Humanities. For more information see: www.ntnu.no/parts/prosjekt

Research–Reveal–Revive is the third in a series of three conferences arranged by pArts in the period 2012–2015. For more information regarding this conference please check the following website where any changes and updates will be made available at the earliest convenience : www.ntnu.no/parts/arrangementer

Closing panel : The conference will lead up to a final panel on the importance and relevance of research to historically informed practices. The panel will include Mark Tatlow (pianist and conductor, former artistic director, Drottningholm Court Theatre), Deda Christina Colonna (director and dancer, specialist in renaissance and baroque dance), Elisabeth Egseth Hansen (dramaturg, Trøndelag Teater), Elizabeth Svarstad (dancer and dance research fellow, NTNU) and Martin Wåhlberg (baroque cellist and post doc. research fellow in musicology, NTNU). The panel will be led by Jørgen Langdalen (musicolgist, specialist on 17th and 18th century music drama).

Sabine Chaouche



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