Canular n°21 - 3 - Pièces de Plaute

Niveau : difficile

Retrouvez les véritables titres des pièces de Plaute. Attention aux pièges tendus par notre farceur de service !



L'Amphi triomphe
La Comédie des mânes
L'Arthrite à l'annulaire
Les Baksheeshs
Les Califes
Elastina ou l'étireur de corps
La Cafèt'
Le Paramythe
"Et pis" dit Guss
Les Mémères
Le Charmant
Le Seul Dard fanfaron
La Psalmodie de Brantôme
L'Oeil perçant
Le Petit Cartable grivois
Le Pasteur
Le Corsage
Minus
Les Trois Ecumes
Le Futal


Réponses ci-dessous. Answers below.

Canular n°21 - 3 - Pièces de Plaute
Amphitryon
La Comédie des ânes
La Marmite ou l'Aululaire
Les Bacchides
Les Captifs
Casina ou les Tireurs de sort
La Cassette
Le Parasite
Epidicus
Les Ménechmes
Le Marchand
Le Soldat fanfaron
La Comédie du fantôme (Le Revenant)
Le Persan
Le Petit Carthaginois
L'Imposteur
Le Cordage
Stichus
Les Trois Ecus
Le Brutal




Sabine Chaouche
04/27/2017

European Drama and Performance Studies - list of publications

Published:
N°1 - Le Développement du "grand spectacle" en France: Politiques, gestions, innovations. 1715-1864 - 2013 - 1
N°2 - L'Eloquence du silence. Dramaturgie du non-dit sur la scène théâtrale des XVIIe et XVIIIe siècles - 2014 - 1
N°3 - Le document iconographique dans son contexte : le hors-champ des images du spectacle - 2014 - 2
N°4 - Dance and the Dutch Republic - 2015 - 1
N°5 - Consuming Female Performers (from the 1850s to the 1950s) - 2015 - 2
N°6 - Shakespeare en scène, hier et aujourd'hui - 2016 - 1
N°7 - Le Suicide au théâtre - 2016 - 2
N°8 - Danse et morale, une approche généalogique/Dance and Morality : a diachronic historical approach 2017-1
[HS 1] - Déjouer l'injouable : la scène contemporaine à l'épreuve de l'impossible 2017
N°9 - Écrire pour la scène : auteurs de théâtre (XVe-XVIIIe siècles) 2017-2

Sabine Chaouche
05/21/2017

Canular n°20 - 2 - Pièces de Sophocle

Niveau moyen

Retrouvez les véritables titres des pièces de Sophocle. Attention aux pièges tendus par notre farceur de service !

Tampax
Anti-gnôme
Les Trolls qui viennent
Vieux type roi
Les Spectres
File l'octet
Le Zip à colonnes
Les Piliers


Réponses ci-dessous. Answers below.

Canular n°20 - 2 - Pièces de Sophocle
Ajax
Antigone
Les Trachiniennes
Oedipe roi
Electre
Philoctète
Oedipe à Colone
Les Limiers

Sabine Chaouche
04/27/2017

Canular n°22 - 2 - Pièces d'Aristophane

Niveau : moyen

Retrouvez les véritables titres des pièces d'Aristophane. Attention aux pièges tendus par notre farceur de service !

Les Acharnés
Les Caves alliées
Les Buées
Les Guêpières
Les Oies d'eau
Les Thermo-souris
L'Aigre Nouille



Réponses ci-desous! Answers below!

Canular n°22 - 2 - Pièces d'Aristophane
Les Acharniens
Les Cavaliers
Les Nuées
Les Guêpes
Les Oiseaux
Les Thesmophories
Les Grenouilles

Sabine Chaouche
05/09/2017

Gallery
Sunday, May 6th 2012
Read 295 times

Centre National du Costume de Scène





Address
Quartier Villars, Route de Montilly 03000 MOULINS
Tel : 0033 (0)4 70 20 76 20
Fax : 04 70 34 23 04
contact informations

Opening hours:
The CNCS is open 7 days a week
September to June: from 10am to 6pm
July and August: from 10am to 7pm
Holiday closings: December 25, January 1, May 1 - on december 24th and 31st, the cncs will close at 4 pm
Closings between two exhibitions: approximately 3 weeks
Next closing dates for exhibition changes: from 16/05/11 to 10/06/11

Map and access:
http://www.cncs.fr/practical-information/prepare-your-visit

Collection: presentation by the CNCS

The CNCS conserves the most prestigious collections in the world, on deposit from its three founding institutions - the Bibliothèque national de France, the Comédie-Française and the Opéra national de Paris as well as costumes donated to the CNCS by costume designers, theatres, theatre and dance companies, artists and their families.

The main collection of the CNCS is composed of 8,500 costumes and accessories from the three founding institutions. These costumes come from productions which are no longer in the repertoire: theatre, opera, ballet, recitals…Whether these costumes have been conserved because of the importance of the production or the fame of the performer or designer, the beauty of the materials, the interest of the cut or the sewing technique, the elegance or exuberance of the costume, or for any other criterion of choice of those responsible for the collections, these costumes are witness to the creativity of their designers and of the talent and knowhow of the workshops where they were created. The oldest costumes in the collection date from the second half of the 19th century and the most recent were worn on stage at the beginning of the 21st century. Once the costumes enter the collections of the CNCS and are inventoried, the acquire the status of works of art, will never again be worn and will be treated with all the care given to works in museum collections.

Donations to the CNCS since its opening
The main collection has been enlarged thanks to donations by theatres such as the Théâtre Daunou; educational institutions such as the Conservatoire national supérieur de musique et de danse de Paris; companies such as the Carnets Bagouet, the Ballet Atlantique Régine Chopinot, "L'Illustre Théâtre" of Jean-Marie Villégier; the Centre chorégraphic Odile Duboc, the Compagnie Camargo; choreographers such as Susan Buirge; costume designers such as Christian Lacroix, Frank Sorbier, Frédéric Pineau; by donations and estate gifts such as the costumes of Jacquelin François and Régine Crespin; and donations by private amateurs and collectors.

http://www.cncs.fr/collections/the-collections

Sabine Chaouche



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