Canular n°18 - 2 - Pièces de Charles-Simon Favart

Niveau moyen

Retrouvez les véritables titres des pièces de Favart. Attention aux pièges tendus par notre farceur de service !

Les Deux Tunnels
La Poire de Bezons
Le Cale-bourgeois
La Chercheuse de cris
La Fête des Saints Clous
Le Prix de sa terre
L'Hippo. est par ici
Le Toc de village
Noix de cajou
Les Mamours à la noix
Cimetière assiégé
Menhir et Beurette
Les Dindes dansantes
Crouton et Rosette
Les Amours de Baston et Bas-se-tiennent
La Serre vante mes tresses
Minette à la tour
Les Trois Soutanes ou Soliman fécond
Aneth et Lupin
L'Onglet à bords doux
La Fée Prunelle ou Ce qui plaît aux cames
La Rombière de Salency
Le Bel Larsen


Réponses ci-dessous. Answers below.

1734 : Les Deux Jumelles
1735 : La Foire de Bezons
1738 : Le Bal bourgeois
1741 : La Chercheuse d'esprit
1741 : La Fête de Saint-Cloud
1742 : Le Prix de Cythère
1742 : Hippolyte et Aricie
1743 : Le Coq de village
1744 : Acajou
1747 : Les Amours grivois
1748 : Cythère assiégée
1750 : Zéphire et Fleurette
1751 : Les Indes dansantes
1753 : Raton et Rosette
1753 : Les Amours de Bastien et Bastienne
1755 : La Servante maîtresse
1755 : Ninette à la cour
1761 : Les Trois Sultanes ou Soliman Second
1762 : Annette et Lubin
1763 : L'Anglais à Bordeaux
1765 : La Fée Urgèle ou Ce qui plaît aux dames
1769 : La Rosière de Salency
1773 : La Belle Arsène

Sabine Chaouche
03/31/2017

Publication: "Creation and Economy of Stage Costumes. 16th-19th century" ed by Sabine Chaouche

Publication type: Journal
Editor: Chaouche (Sabine)
Abstract: European Drama and Performance Studies is a journal devoted to the history of performing arts. Thematic issues are published in French and/or English.
Number of pages: 375
Parution: 07-05-2023
Journal: European Drama and Performance Studies, n° 20

Ce volume fait découvrir au lecteur un atelier souvent méconnu : celui des costumes de théâtre sous l’Ancien Régime. Il met en lumière les différents métiers relatifs à la fabrication des tenues des acteurs, l’univers des marchands ainsi que les coûts liés aux commandes de textiles ou de vêtements. Cet ouvrage redonne une place centrale à l’archive, et plus particulièrement aux sources méconnues que sont les factures des tailleurs, des perruquiers ou d’autres fournisseurs tels que les drapiers, les merciers, les plumassiers, les bonnetiers etc. Il met en lumière à travers les huit articles et annexes qui le composent, un pan de l’histoire du costume de scène longtemps délaissé.


classiques-garnier.com/european-drama-and-performance-studies-2023-1-n-20-creation-and-economy-of-stage-costumes-16th19th-century-en.html

Sabine Chaouche
10/14/2023

Gallery

Gallery
Saturday, February 2nd 2013
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Conference: 15th Annual Oxford Dance Symposium org. by Michael Burden and Jennifer Thorp




The 15th Annual Oxford Dance Symposium, ‘Living, Dancing, Travelling, Dying: Dancers’ Lives in the Long 18th Century’, organised by Michael Burden and Jennifer Thorp, will take place on 16th & 17th April 2013. This year it will be held at Wolfson College, Linton Road, Oxford OX2 6UD, in connection with the Oxford Centre for Life Writing.


Message from Jennifer Thorp

Marie Sallé by Quentin de la Tour (c) 1928: purchased Wikicommons
Marie Sallé by Quentin de la Tour (c) 1928: purchased Wikicommons
We are delighted to welcome to this symposium an international array of speakers in what promises to be a fascinating two days of shared ideas and research on subjects as diverse as Feuillet’s last will and testament, the changing fortunes of dancers at royal courts and private theatres, stage personalities English and European, dance and caricature, John Weaver’s last dance with a harlot…

The provisional timetable and abstracts can be downloaded as pdfs from the New College Symposium website:
http://www.new.ox.ac.uk/dance-symposium
See also the Wolfson website https://www.wolfson.ox.ac.uk and click on ‘About Wolfson’ for a virtual tour of the college and ‘how to get there’ maps.

The registration form and B&B accommodation lists are attached herewith (and will also be available for download from the symposium website shortly). Please print out and return the completed registration form to Jennifer Thorp at New College, Holywell Street, Oxford OX1 3BN, UK, before 5th April 2013, and regardless of how you intend to pay. If you have any particular requirements (eg dietary, mobility/disability access) please note them on the Registration form.

The registration fee of £128 (includes conference dinner on the evening of 16th) or £80 (excludes conference dinner on the evening of 16th) covers attendance at all or part of the symposium; due to the administrative complexities involved this year we cannot offer reductions for partial attendance. Lunch for both days is included in the registration fee since Wolfson is rather remote from any restaurants or shops.

If you are paying by cheque, please enclose a sterling cheque (made out to Wolfson College, not New College) with your completed registration form and return them both to Jennifer Thorp at New College, Holywell Street, Oxford OX1 3BN. Receipt will be acknowledged by email.

If you prefer to pay online, please follow the link on the registration form to register with the Oxford University Stores which handles online payments securely. (You will need to register with your name, contact address, email address, and password of your own choice; then follow the on-screen directions to pay by credit or debit card. An automatic receipt will be issued to you).

Please note the closing date of 5th April 2013 for registration and payment, as it may not be possible to accept late bookings.

If you have any problems or queries please contact either jennifer.thorp@new.ox.ac.uk or jacqui.julier@new.ox.ac.uk


Programme

The Timetable at a Glance

Tuesday 16th

11.00 Coffee, Registration
I. 11.30 Defining the dancer: sources and commentaries
11.30 Regine Astier
‘Probate records: the dance researcher’s treat’
12.00 Moira Goff, Independent scholar
‘The English Virtuoso Male Dancer, Fact or Fantasy?
12.30 Michael Burden, New College, University of Oxford
‘The bishop, the dancer, and THAT dress: dance and caricature’

1.00 Lunch

II. 2.00 Dancing Around Europe
2.00 Marina Nordera, Department of Dance, Nice University, France
‘Being an Italian female dancer in 18th c. Europe: history, narrative and the
construction for posterity in Barbara Campanini’s life’
2.30 Bruce Alan Brown, University of Southern California
‘The Fortunes of French Dance in Maria Theresa’s Vienna, 1752-1765’
3.00 Helena Kazárová, Academy of Performing Arts in Prague
‘The Story of Johann Baptista Danese – Dancer and Ballet Master of Private Noble Theatres in Bohemia and Moravia’
3.30 Iris Julia Bührle, Sorbonne-Nouvelle Paris/ Stuttgart University
‘Pierre Gardel: the Talleyrand of Ballet’

4.00 Tea

III: Paris archives
4.30 Bertrand Porot, Université de Reims, Co-directeur du GRIMAS, Université Paris-IV Sorbonne
‘Les danseurs de l’Opéra-Comique en 1744 et 1745 à travers un fonds d’archive méconnu: troupe, salaires, règlement’
5.00 Dominique Lauvernier, Ecole Pratique des Hautes Etudes, Paris, Equipe HISTARA; with the collaboration of the CIREVE, Centre Interdisciplinaire de Réalité Virtuelle – Université de Caen
‘Dancing for the King: When French dancers were called to the Court, their daily life according to the Royal Archives’

IV: Working outside London
5.30 Madeleine Inglehearn, London, and Queen’s, Belfast
‘Dancers in the theatres of the north east of England in the 18th century’
6.00 Mary Collins
‘Mr Bridgeman will exhibit several Equilibres…and likewise perform the Ladder Dance…’

6.30 Drinks followed by 7.00 Dinner


Wednesday 17th
V: Personalities
9.00 Joanna Jarvis
‘La Guimard – Madonna or Material Girl? A sad tale of Terpsichore’
9.30 Keith Cavers, Independent Scholar
‘A Diamond Jubilee: James Harvey D’Egville 60 years on and off the Stage’
10.00 Olive Baldwin, Thelma Wilson, Essex
’”The liveliest baggage on the modern stage”: Jane Poitier, French dancer and English singer’
10.30 Rémy-Michel Trotier, Académie Desprez
‘Début in France: Gallodier’s Years of Apprenticeship’

11.00 Coffee

VI: John Weaver
11.30 Tilden Russell
‘The Mechanistic Dancer in Early Eighteenth-Century Dance Theory’
12.00 Richard Semmens, University of Western Ontario
‘John Weaver’s last dance with a harlot’

VI: A dancer’s biography in the modern world
12.30 Sarah McCleave, Queen’s University Belfast
‘Marie Sallé (1709?-1756): a biography for the 21st century’

1.00 Lunch

Sabine Chaouche



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