Canular n°21 - 3 - Pièces de Plaute

Niveau : difficile

Retrouvez les véritables titres des pièces de Plaute. Attention aux pièges tendus par notre farceur de service !



L'Amphi triomphe
La Comédie des mânes
L'Arthrite à l'annulaire
Les Baksheeshs
Les Califes
Elastina ou l'étireur de corps
La Cafèt'
Le Paramythe
"Et pis" dit Guss
Les Mémères
Le Charmant
Le Seul Dard fanfaron
La Psalmodie de Brantôme
L'Oeil perçant
Le Petit Cartable grivois
Le Pasteur
Le Corsage
Minus
Les Trois Ecumes
Le Futal


Réponses ci-dessous. Answers below.

Canular n°21 - 3 - Pièces de Plaute
Amphitryon
La Comédie des ânes
La Marmite ou l'Aululaire
Les Bacchides
Les Captifs
Casina ou les Tireurs de sort
La Cassette
Le Parasite
Epidicus
Les Ménechmes
Le Marchand
Le Soldat fanfaron
La Comédie du fantôme (Le Revenant)
Le Persan
Le Petit Carthaginois
L'Imposteur
Le Cordage
Stichus
Les Trois Ecus
Le Brutal




Sabine Chaouche
04/27/2017

European Drama and Performance Studies - list of publications

Published:
N°1 - Le Développement du "grand spectacle" en France: Politiques, gestions, innovations. 1715-1864 - 2013 - 1
N°2 - L'Eloquence du silence. Dramaturgie du non-dit sur la scène théâtrale des XVIIe et XVIIIe siècles - 2014 - 1
N°3 - Le document iconographique dans son contexte : le hors-champ des images du spectacle - 2014 - 2
N°4 - Dance and the Dutch Republic - 2015 - 1
N°5 - Consuming Female Performers (from the 1850s to the 1950s) - 2015 - 2
N°6 - Shakespeare en scène, hier et aujourd'hui - 2016 - 1
N°7 - Le Suicide au théâtre - 2016 - 2
N°8 - Danse et morale, une approche généalogique/Dance and Morality : a diachronic historical approach 2017-1
[HS 1] - Déjouer l'injouable : la scène contemporaine à l'épreuve de l'impossible 2017
N°9 - Écrire pour la scène : auteurs de théâtre (XVe-XVIIIe siècles) 2017-2

Sabine Chaouche
05/21/2017

Canular n°20 - 2 - Pièces de Sophocle

Niveau moyen

Retrouvez les véritables titres des pièces de Sophocle. Attention aux pièges tendus par notre farceur de service !

Tampax
Anti-gnôme
Les Trolls qui viennent
Vieux type roi
Les Spectres
File l'octet
Le Zip à colonnes
Les Piliers


Réponses ci-dessous. Answers below.

Canular n°20 - 2 - Pièces de Sophocle
Ajax
Antigone
Les Trachiniennes
Oedipe roi
Electre
Philoctète
Oedipe à Colone
Les Limiers

Sabine Chaouche
04/27/2017

Canular n°22 - 2 - Pièces d'Aristophane

Niveau : moyen

Retrouvez les véritables titres des pièces d'Aristophane. Attention aux pièges tendus par notre farceur de service !

Les Acharnés
Les Caves alliées
Les Buées
Les Guêpières
Les Oies d'eau
Les Thermo-souris
L'Aigre Nouille



Réponses ci-desous! Answers below!

Canular n°22 - 2 - Pièces d'Aristophane
Les Acharniens
Les Cavaliers
Les Nuées
Les Guêpes
Les Oiseaux
Les Thesmophories
Les Grenouilles

Sabine Chaouche
05/09/2017

Gallery
Saturday, May 12th 2012
Read 653 times

Poetry: Claire Cox




All poems reproduced with courtesy of Claire Cox


Sleeping Pigeon

(c) Sabine Chaouche - Oxford 2006
(c) Sabine Chaouche - Oxford 2006
She’s a clenched fist
gloved in feathers,

thumb/head lost in
the wrap of fingers –

tucked and clasped,
slicked and coated

in a soft purple sheen
of scattering light.

How will she feel,
in the cave of my palms –

her bird-frail bones,
the plush of her wing,

her jailed and whispering heart?

(c) Claire Cox
May 2012


Tango in Washington Square

(c) Sabine Chaouche - New York 2009
(c) Sabine Chaouche - New York 2009
She embraces him like a saviour,
her palm pressing the warm
articulation of his shoulder blade,
spreading her fingers against the slide
of his waistcoat. Her intimate
cheekbone rests on his shoulder.

He gazes across the plaza, forehead
shining, glazed with perspiration.
He sees nothing but the fiery corona
of their next steps patterned and resonating.
His cotton-stripe arm encircles her like destiny.
They lunge. Cameras click. Her skirt-slit thigh
touches his. Sunlight kisses her ankle.

They have become beauty. They dance
far away from the city trees and paviours.

The girl with the waterfall hair stares –
she has already traded her skin for theirs.

(c) Claire Cox
May 2012



Washington Square Atlantid

(c) Sabine Chaouche - New York 2009
(c) Sabine Chaouche - New York 2009
He sits, dreadlocked and monumental –
his youth draped like a banner
around his waist – a silhouette,
solid as polished marble
against the sun-bleached cobbles.
Bare backed in New York shade,
his head is bowed in wordless regret.
Tattooed on his arm, a comet
trails into nothingness.

There’s an architecture to his grief,
he bends, like Atlas, under its weight.
It presses the twin mounds
of his enduring shoulders –
crushes the valley of his spine.
A fountain sprays from his shoulder
in white wings of despair as he slumps
forward in defeat, forearms splayed
and braced against his thighs

or maybe he’s just texting.

(c) Claire Cox
May 2012



Tree Fisher

(c) Sabine Chaouche - Oxford 2012
(c) Sabine Chaouche - Oxford 2012
I catch a day when ash trees grow sideways,
their spill of twigs hauled in by a rope
like a fisherman’s sorry trawling.

Behind them, silver birches –
blink-white and upright –
sift the tides of a different sun.

(c) Claire Cox
May 2012



The King of the Sun

(c) Sabine Chaouche
(c) Sabine Chaouche
He had them make him a sun-crown
to top his radiant head – a fanfare
of gold, more blazing than dawn –
with dazzling jewels to outshine
the stars and scorch out his enemies’ eyes.
His craftsmen swathed it in golden flowers
and made golden bees to sip from them.

And when the crown was on his head
and the Earth fell silent before him,
he lifted up his fiery brow and saw
the sky had paled above him.
He ordered his craftsmen to crush lapis,
bluer than the Virgin’s robe, and fasten
up a rich new sky to hide God’s shabby heaven.

(c) Claire Cox
May 2012




LA149

(c) Sabine Chaouche - Los Angeles 2009
(c) Sabine Chaouche - Los Angeles 2009
The space of sky,
wide as a windshield,
California-blue at dusk.

On a black arc,
slender as a shoelace,
a traffic signal turns red.

The setting sun halts and waits –
a golden egg nesting
in the sweetgum trees.

(c) Claire Cox
May 2012



Nota Bene:
The images or poems relating to this exhibition must not be reproduced without the authors' permission.
Les images ou poèmes relatifs à l'exposition virtuelle ne doivent pas être reproduits sans l'autorisation de leur auteur.

Sabine Chaouche



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