Canular n°21 - 3 - Pièces de Plaute

Niveau : difficile

Retrouvez les véritables titres des pièces de Plaute. Attention aux pièges tendus par notre farceur de service !



L'Amphi triomphe
La Comédie des mânes
L'Arthrite à l'annulaire
Les Baksheeshs
Les Califes
Elastina ou l'étireur de corps
La Cafèt'
Le Paramythe
"Et pis" dit Guss
Les Mémères
Le Charmant
Le Seul Dard fanfaron
La Psalmodie de Brantôme
L'Oeil perçant
Le Petit Cartable grivois
Le Pasteur
Le Corsage
Minus
Les Trois Ecumes
Le Futal


Réponses ci-dessous. Answers below.

Canular n°21 - 3 - Pièces de Plaute
Amphitryon
La Comédie des ânes
La Marmite ou l'Aululaire
Les Bacchides
Les Captifs
Casina ou les Tireurs de sort
La Cassette
Le Parasite
Epidicus
Les Ménechmes
Le Marchand
Le Soldat fanfaron
La Comédie du fantôme (Le Revenant)
Le Persan
Le Petit Carthaginois
L'Imposteur
Le Cordage
Stichus
Les Trois Ecus
Le Brutal




Sabine Chaouche
04/27/2017

European Drama and Performance Studies - list of publications

Published:
N°1 - Le Développement du "grand spectacle" en France: Politiques, gestions, innovations. 1715-1864 - 2013 - 1
N°2 - L'Eloquence du silence. Dramaturgie du non-dit sur la scène théâtrale des XVIIe et XVIIIe siècles - 2014 - 1
N°3 - Le document iconographique dans son contexte : le hors-champ des images du spectacle - 2014 - 2
N°4 - Dance and the Dutch Republic - 2015 - 1
N°5 - Consuming Female Performers (from the 1850s to the 1950s) - 2015 - 2
N°6 - Shakespeare en scène, hier et aujourd'hui - 2016 - 1
N°7 - Le Suicide au théâtre - 2016 - 2
N°8 - Danse et morale, une approche généalogique/Dance and Morality : a diachronic historical approach 2017-1
[HS 1] - Déjouer l'injouable : la scène contemporaine à l'épreuve de l'impossible 2017
N°9 - Écrire pour la scène : auteurs de théâtre (XVe-XVIIIe siècles) 2017-2

Sabine Chaouche
05/21/2017

Canular n°20 - 2 - Pièces de Sophocle

Niveau moyen

Retrouvez les véritables titres des pièces de Sophocle. Attention aux pièges tendus par notre farceur de service !

Tampax
Anti-gnôme
Les Trolls qui viennent
Vieux type roi
Les Spectres
File l'octet
Le Zip à colonnes
Les Piliers


Réponses ci-dessous. Answers below.

Canular n°20 - 2 - Pièces de Sophocle
Ajax
Antigone
Les Trachiniennes
Oedipe roi
Electre
Philoctète
Oedipe à Colone
Les Limiers

Sabine Chaouche
04/27/2017

Canular n°22 - 2 - Pièces d'Aristophane

Niveau : moyen

Retrouvez les véritables titres des pièces d'Aristophane. Attention aux pièges tendus par notre farceur de service !

Les Acharnés
Les Caves alliées
Les Buées
Les Guêpières
Les Oies d'eau
Les Thermo-souris
L'Aigre Nouille



Réponses ci-desous! Answers below!

Canular n°22 - 2 - Pièces d'Aristophane
Les Acharniens
Les Cavaliers
Les Nuées
Les Guêpes
Les Oiseaux
Les Thesmophories
Les Grenouilles

Sabine Chaouche
05/09/2017

Gallery
Monday, April 1st 2013
Read 115 times

Satyrs, Nymphs, Dancing Toys: Gender Politics in 17th-century Venetian Theatrical Dance Lecture by Dr. Wendy Heller




UC RIVERSIDE Department of Dance invites you to attend the
Christena Lindborg Schlundt Lecture in Dance Studies

Coordinated by Linda J. Tomko, Department of Dance

April 11, 2013
Thursday, 4:10-5:30 pm
CHASS Interdisciplinary Building, South - Symposium Room, INTS 1113
Free and open to the campus and invited guests
Reception to follow


Wendy Heller

Satyrs, Nymphs, Dancing Toys: Gender Politics in 17th-century Venetian Theatrical Dance Lecture by Dr. Wendy Heller
Professor of Music and Director of the Program in Italian Studies at Princeton University, Wendy Heller specializes in the study of 17th- and 18th-century opera from interdisciplinary perspectives, with emphasis on gender and sexuality, art history, and the classical tradition. A recipient of numerous awards and fellowships, Heller has been a Mellon Fellow at the Society of Fellows of Columbia University, a Fellow of the American Academy in Rome, an appointee at the Villa I Tatti Harvard University Center for Renaissance Studies and winner of the Frederick Burkhardt Residential Fellowship (ACLS) and was the Sylvan C. and Pamela Coleman Fellow at the Metropolitan Museum of Art.

With numerous publications in journals in music and other disciplines, she is the author of Emblems of Eloquence: Opera and Women's Voices in Seventeenth-Century Venice, winner of the annual book prize from the Society for the Study of Early Modern Women and finalist for the Otto Kinkeldey Prize from the American Musicological Society. Her recent publications include “Dancing Statues and the Myth of Venice: Ancient Sculpture on the Operatic Stage” in Art History; and “Daphne’s Dilemma: Desire as Metamorphosis in Early Modern Opera,” in Structures of Feeling in Seventeenth-Century Cultural Expression (University of Toronto Press, 2013). Heller is also the author of Music in the Baroque and Anthology of Music in the Baroque (W.W. Norton, 2013), to be published this summer. Current projects include Animating Ovid: Opera and the Metamorphoses of Antiquity in Early Modern Italy, critical editions of operas by Handel and Cavalli, and an edited collection of essays
entitled Performing Homer: The Voyage of Ulysses from Epic to Opera.

Information: (951) 827-3245, performingarts@ucr.edu
Parking: permits available at the University Kiosk

Source ACRAS

Sabine Chaouche



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