Canular n°18 - 2 - Pièces de Charles-Simon Favart

Niveau moyen

Retrouvez les véritables titres des pièces de Favart. Attention aux pièges tendus par notre farceur de service !

Les Deux Tunnels
La Poire de Bezons
Le Cale-bourgeois
La Chercheuse de cris
La Fête des Saints Clous
Le Prix de sa terre
L'Hippo. est par ici
Le Toc de village
Noix de cajou
Les Mamours à la noix
Cimetière assiégé
Menhir et Beurette
Les Dindes dansantes
Crouton et Rosette
Les Amours de Baston et Bas-se-tiennent
La Serre vante mes tresses
Minette à la tour
Les Trois Soutanes ou Soliman fécond
Aneth et Lupin
L'Onglet à bords doux
La Fée Prunelle ou Ce qui plaît aux cames
La Rombière de Salency
Le Bel Larsen


Réponses ci-dessous. Answers below.

1734 : Les Deux Jumelles
1735 : La Foire de Bezons
1738 : Le Bal bourgeois
1741 : La Chercheuse d'esprit
1741 : La Fête de Saint-Cloud
1742 : Le Prix de Cythère
1742 : Hippolyte et Aricie
1743 : Le Coq de village
1744 : Acajou
1747 : Les Amours grivois
1748 : Cythère assiégée
1750 : Zéphire et Fleurette
1751 : Les Indes dansantes
1753 : Raton et Rosette
1753 : Les Amours de Bastien et Bastienne
1755 : La Servante maîtresse
1755 : Ninette à la cour
1761 : Les Trois Sultanes ou Soliman Second
1762 : Annette et Lubin
1763 : L'Anglais à Bordeaux
1765 : La Fée Urgèle ou Ce qui plaît aux dames
1769 : La Rosière de Salency
1773 : La Belle Arsène

Sabine Chaouche
03/31/2017

Publication: "Creation and Economy of Stage Costumes. 16th-19th century" ed by Sabine Chaouche

Publication type: Journal
Editor: Chaouche (Sabine)
Abstract: European Drama and Performance Studies is a journal devoted to the history of performing arts. Thematic issues are published in French and/or English.
Number of pages: 375
Parution: 07-05-2023
Journal: European Drama and Performance Studies, n° 20

Ce volume fait découvrir au lecteur un atelier souvent méconnu : celui des costumes de théâtre sous l’Ancien Régime. Il met en lumière les différents métiers relatifs à la fabrication des tenues des acteurs, l’univers des marchands ainsi que les coûts liés aux commandes de textiles ou de vêtements. Cet ouvrage redonne une place centrale à l’archive, et plus particulièrement aux sources méconnues que sont les factures des tailleurs, des perruquiers ou d’autres fournisseurs tels que les drapiers, les merciers, les plumassiers, les bonnetiers etc. Il met en lumière à travers les huit articles et annexes qui le composent, un pan de l’histoire du costume de scène longtemps délaissé.


classiques-garnier.com/european-drama-and-performance-studies-2023-1-n-20-creation-and-economy-of-stage-costumes-16th19th-century-en.html

Sabine Chaouche
10/14/2023

Gallery

Gallery
Monday, April 1st 2013
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Satyrs, Nymphs, Dancing Toys: Gender Politics in 17th-century Venetian Theatrical Dance Lecture by Dr. Wendy Heller




UC RIVERSIDE Department of Dance invites you to attend the
Christena Lindborg Schlundt Lecture in Dance Studies

Coordinated by Linda J. Tomko, Department of Dance

April 11, 2013
Thursday, 4:10-5:30 pm
CHASS Interdisciplinary Building, South - Symposium Room, INTS 1113
Free and open to the campus and invited guests
Reception to follow


Wendy Heller

Satyrs, Nymphs, Dancing Toys: Gender Politics in 17th-century Venetian Theatrical Dance Lecture by Dr. Wendy Heller
Professor of Music and Director of the Program in Italian Studies at Princeton University, Wendy Heller specializes in the study of 17th- and 18th-century opera from interdisciplinary perspectives, with emphasis on gender and sexuality, art history, and the classical tradition. A recipient of numerous awards and fellowships, Heller has been a Mellon Fellow at the Society of Fellows of Columbia University, a Fellow of the American Academy in Rome, an appointee at the Villa I Tatti Harvard University Center for Renaissance Studies and winner of the Frederick Burkhardt Residential Fellowship (ACLS) and was the Sylvan C. and Pamela Coleman Fellow at the Metropolitan Museum of Art.

With numerous publications in journals in music and other disciplines, she is the author of Emblems of Eloquence: Opera and Women's Voices in Seventeenth-Century Venice, winner of the annual book prize from the Society for the Study of Early Modern Women and finalist for the Otto Kinkeldey Prize from the American Musicological Society. Her recent publications include “Dancing Statues and the Myth of Venice: Ancient Sculpture on the Operatic Stage” in Art History; and “Daphne’s Dilemma: Desire as Metamorphosis in Early Modern Opera,” in Structures of Feeling in Seventeenth-Century Cultural Expression (University of Toronto Press, 2013). Heller is also the author of Music in the Baroque and Anthology of Music in the Baroque (W.W. Norton, 2013), to be published this summer. Current projects include Animating Ovid: Opera and the Metamorphoses of Antiquity in Early Modern Italy, critical editions of operas by Handel and Cavalli, and an edited collection of essays
entitled Performing Homer: The Voyage of Ulysses from Epic to Opera.

Information: (951) 827-3245, performingarts@ucr.edu
Parking: permits available at the University Kiosk

Source ACRAS

Sabine Chaouche



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