Canular n°18 - 2 - Pièces de Charles-Simon Favart

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Retrouvez les véritables titres des pièces de Favart. Attention aux pièges tendus par notre farceur de service !

Les Deux Tunnels
La Poire de Bezons
Le Cale-bourgeois
La Chercheuse de cris
La Fête des Saints Clous
Le Prix de sa terre
L'Hippo. est par ici
Le Toc de village
Noix de cajou
Les Mamours à la noix
Cimetière assiégé
Menhir et Beurette
Les Dindes dansantes
Crouton et Rosette
Les Amours de Baston et Bas-se-tiennent
La Serre vante mes tresses
Minette à la tour
Les Trois Soutanes ou Soliman fécond
Aneth et Lupin
L'Onglet à bords doux
La Fée Prunelle ou Ce qui plaît aux cames
La Rombière de Salency
Le Bel Larsen


Réponses ci-dessous. Answers below.

1734 : Les Deux Jumelles
1735 : La Foire de Bezons
1738 : Le Bal bourgeois
1741 : La Chercheuse d'esprit
1741 : La Fête de Saint-Cloud
1742 : Le Prix de Cythère
1742 : Hippolyte et Aricie
1743 : Le Coq de village
1744 : Acajou
1747 : Les Amours grivois
1748 : Cythère assiégée
1750 : Zéphire et Fleurette
1751 : Les Indes dansantes
1753 : Raton et Rosette
1753 : Les Amours de Bastien et Bastienne
1755 : La Servante maîtresse
1755 : Ninette à la cour
1761 : Les Trois Sultanes ou Soliman Second
1762 : Annette et Lubin
1763 : L'Anglais à Bordeaux
1765 : La Fée Urgèle ou Ce qui plaît aux dames
1769 : La Rosière de Salency
1773 : La Belle Arsène

Sabine Chaouche
03/31/2017

Publication: "Creation and Economy of Stage Costumes. 16th-19th century" ed by Sabine Chaouche

Publication type: Journal
Editor: Chaouche (Sabine)
Abstract: European Drama and Performance Studies is a journal devoted to the history of performing arts. Thematic issues are published in French and/or English.
Number of pages: 375
Parution: 07-05-2023
Journal: European Drama and Performance Studies, n° 20

Ce volume fait découvrir au lecteur un atelier souvent méconnu : celui des costumes de théâtre sous l’Ancien Régime. Il met en lumière les différents métiers relatifs à la fabrication des tenues des acteurs, l’univers des marchands ainsi que les coûts liés aux commandes de textiles ou de vêtements. Cet ouvrage redonne une place centrale à l’archive, et plus particulièrement aux sources méconnues que sont les factures des tailleurs, des perruquiers ou d’autres fournisseurs tels que les drapiers, les merciers, les plumassiers, les bonnetiers etc. Il met en lumière à travers les huit articles et annexes qui le composent, un pan de l’histoire du costume de scène longtemps délaissé.


classiques-garnier.com/european-drama-and-performance-studies-2023-1-n-20-creation-and-economy-of-stage-costumes-16th19th-century-en.html

Sabine Chaouche
10/14/2023

Gallery

Gallery
Saturday, September 18th 2010
Read 1281 times

Women on the Stage in Early Modern France: 1540–1750 by Virginia Scott

Virginia Scott examines how the stereotype of the actress has been constructed.




Publisher's description


Women on the Stage in Early Modern France: 1540–1750 by Virginia Scott
Focusing on actresses in France during the early modern period, Virginia Scott examines how the stereotype of the actress has been constructed. The study then moves beyond that stereotype to detail the reality of the personal and artistic lives of women on the French stage, from the almost unknown Marie Ferré – who signed a contract for 12 livres a year in 1545 to perform the “antiquailles de Rome” or other “histories, moralities, farces, and acrobatics” in the provinces – to the queens of the eighteenth-century Paris stage, whose “adventures” have overshadowed their artistic triumphs. The book also investigates the ways in which actresses made invaluable contributions to the development of the French theatre in the seventeenth and eighteenth centuries, and looks at the “afterlives” of such women as Armande Béjart, Marquise Du Parc, Charlotte Desmares, Adrienne Lecouvreur, and Hippolyte Clairon in biographies, plays, and films.

Virginia Scott is Professor Emerita in the Department of Theater, University of Massachusetts at Amherst. She specializes in commedia dell'arte and French theatre of the sixteenth, seventeenth, and eighteenth centuries. Her books include The Commedia dell'Arte in Paris, which won the George Freedley award, and Molière: A Theatrical Life. Professor Scott is also a dramaturg, playwright, actor, and director.

Cambridge University Press
9780521896757
Page extent: 336 pages
Size: 228 x 152 mm
http://www.cambridge.org/catalogue/catalogue.asp?isbn=9780521896757&ss=fro

Women on the Stage in Early Modern France: 1540–1750 by Virginia Scott
Contents

Acknowledgments, viii

Introduction, 1

1 The actress and the anecdote, p. 11
2 “So perverse was her wantonness”: antitheatricalism and the actress, p. 38
3 In the beginning: “12 livres per year”, p. 59
4 “Those diverting little ways”: 1630–1640, p. 101
5 Mademoiselle L'Étoile: 1640–1700, p. 142
6 “Embellished by art”: 1680–1720, p. 198
7 Lives and afterlives: 1700–2010, p. 246

Bibliography, p. 289
Index, p. 313

SC


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