Canular n°18 - 2 - Pièces de Charles-Simon Favart

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Retrouvez les véritables titres des pièces de Favart. Attention aux pièges tendus par notre farceur de service !

Les Deux Tunnels
La Poire de Bezons
Le Cale-bourgeois
La Chercheuse de cris
La Fête des Saints Clous
Le Prix de sa terre
L'Hippo. est par ici
Le Toc de village
Noix de cajou
Les Mamours à la noix
Cimetière assiégé
Menhir et Beurette
Les Dindes dansantes
Crouton et Rosette
Les Amours de Baston et Bas-se-tiennent
La Serre vante mes tresses
Minette à la tour
Les Trois Soutanes ou Soliman fécond
Aneth et Lupin
L'Onglet à bords doux
La Fée Prunelle ou Ce qui plaît aux cames
La Rombière de Salency
Le Bel Larsen


Réponses ci-dessous. Answers below.

1734 : Les Deux Jumelles
1735 : La Foire de Bezons
1738 : Le Bal bourgeois
1741 : La Chercheuse d'esprit
1741 : La Fête de Saint-Cloud
1742 : Le Prix de Cythère
1742 : Hippolyte et Aricie
1743 : Le Coq de village
1744 : Acajou
1747 : Les Amours grivois
1748 : Cythère assiégée
1750 : Zéphire et Fleurette
1751 : Les Indes dansantes
1753 : Raton et Rosette
1753 : Les Amours de Bastien et Bastienne
1755 : La Servante maîtresse
1755 : Ninette à la cour
1761 : Les Trois Sultanes ou Soliman Second
1762 : Annette et Lubin
1763 : L'Anglais à Bordeaux
1765 : La Fée Urgèle ou Ce qui plaît aux dames
1769 : La Rosière de Salency
1773 : La Belle Arsène

Sabine Chaouche
03/31/2017

Publication: "Creation and Economy of Stage Costumes. 16th-19th century" ed by Sabine Chaouche

Publication type: Journal
Editor: Chaouche (Sabine)
Abstract: European Drama and Performance Studies is a journal devoted to the history of performing arts. Thematic issues are published in French and/or English.
Number of pages: 375
Parution: 07-05-2023
Journal: European Drama and Performance Studies, n° 20

Ce volume fait découvrir au lecteur un atelier souvent méconnu : celui des costumes de théâtre sous l’Ancien Régime. Il met en lumière les différents métiers relatifs à la fabrication des tenues des acteurs, l’univers des marchands ainsi que les coûts liés aux commandes de textiles ou de vêtements. Cet ouvrage redonne une place centrale à l’archive, et plus particulièrement aux sources méconnues que sont les factures des tailleurs, des perruquiers ou d’autres fournisseurs tels que les drapiers, les merciers, les plumassiers, les bonnetiers etc. Il met en lumière à travers les huit articles et annexes qui le composent, un pan de l’histoire du costume de scène longtemps délaissé.


classiques-garnier.com/european-drama-and-performance-studies-2023-1-n-20-creation-and-economy-of-stage-costumes-16th19th-century-en.html

Sabine Chaouche
10/14/2023

Gallery

Gallery
Friday, May 12th 2023
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New Research Project on Female Performers Across the Centuries




LES CONTEMPORAINES (c. 1640-2000)
THE CONTEMPORARIES


Director of the research and editorial project:

Prof. Sabine Chaouche (Professor of Cultural History and Associate Dean at Sunway University, Malaysia; Fellow of the Royal Historical Society)
Dr Catherine Authier (EAC-Ecole supérieure technique en Art et Communication; ICART - Ecole de Médiation Culturelle et Marché de l’Art)


Members of the research project (alphabetical order):

1. Dr. Louis Bilodeau (Ahuntsic College, Montreal)
2. Dr. Marie-Astrid Charlier (Université Paul-Valéry Montpellier 3)
3. Prof. Jan Clarke (University of Durham)
4. Dr Nathalie Coutelet (University of Paris 8)
5. Prof. Mark Darlow (The University of Cambridge)
6. Dr Joann Elart (University of Rouen)
7. Prof. Corinne François-Denève (University of Haute Alsace)
8. Prof. Iona Galleron (University of Paris Sorbonne Nouvelle)
9. Dr Agathe Giraud (University of Paris Sorbonne)
10. Dr Caroline Giron-Panel (Independent researcher)
11. Dr Marie Goupil-Lucas-Fontaine (University of Paris I)
12. Dr Laurène Haslé (University of Paris 8)
13. Dr Bénédicte Jarasse (University of Paris Sorbonne Nouvelle)
14. Prof. Raphaëlle Legrand (Paris Sorbonne)
15. Dr Eléonore Martin (University Bordeaux Montaigne)
16. Dr Ariane Martinez (University of Lille)
17. Dr Bianca Maurmayr (University of Lille)
18. Dr Alix de Morant-Wallon (University Paul-Valéry Montpellier 3)
19. Prof. Sarah McCleave (Queen’s University Belfast)
20. Prof. Hélène Marquié (University of Paris 8)
21. Prof. Marina Nordera (University of Côte d’Azur)
22. Dr Vannina Olivesi (EHESS)
23. Dr. Valentina Ponzetto (University of Lausanne)
24. Prof. Bertrand Porot (University of Reims)
25. Prof. Paola Ranzini (University of Avignon and Institut Universitaire de France)
26. Dr Stella Rollet (UVSQ/Paris-Saclay)
27. Dr Anastasia Sakhnovskaia (CETHEFI, Nantes)
28. Prof. Patrick Taïeb (University Paul-Valéry Montpellier 3)
29. Dr Jean-Philippe Van Aelbrouck (independent researcher)
30. Dr Jean-Yves Vialleton (University of Grenoble Alpes)
31. Dr Michela Zaccaria (independent researcher)


Outline:

This research group develops a major editorial project on female performers over the centuries. The aim is to publish several volumes of the most important figures in the performing arts from 1640 to 1920 (phase 1) and then from 1920 to 2000 (phase 2). The biographies of these female performers will reveal some little-known aspects of the history of the performing arts and literary history, and provide an overview of celebrity and even censorship. The books will therefore be of interest to students, historians, literary and theatre scholars, and the general public and will become reference books.

Rationale:


In France, there is no series of short biographies of women in the performing arts that trace how they influenced their art (dance, singing, acting, or circus arts) as reformers, educators (many of whom had famous students), or entrepreneurs. Their contributions and specificities in the field of performing arts, and even literature, are often relegated to the background in favour of their morals, sexual orientation, or multiple romantic affairs. Indeed, since the 19th century, numerous biographies filled with unverified anecdotes have remained largely unreliable. These accounts often deviate from the most important facts: the subjects’ role in the history of performing arts and their contribution to the entertainment industry. These biographies are not necessarily written by scholars, as they are generally aimed at the general public. However, in recent years, there has been a renewed interest in the study of women in the performing arts, with researchers adopting new approaches related to gender (their place in a male-dominated industry and their careers in the theatre), the economics of entertainment, or theatre management (women as businesswomen or entrepreneurs), women’s voices, artistic duos and collaborations, emotions, celebrity, and the role of the press in staging artistic rivalries. In addition, today’s researchers have powerful digital tools that allow them to verify sources more effectively, or to identify previously unstudied or unexplored archival documents such as prompter manuscripts, theatre registers, or digitized newspapers. The research team comprises leading specialists in the performing arts (see list above) as well as young researchers who have completed a thesis related to the star being studied.


Sabine Chaouche



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